Dream big. Sleep well.

Avid delivers solutions that allow you to create at your best while we take care of the complexities. Our audio and video production solutions combine the industry's prefered creative tools with powerful infrastructure to manage media and metadata and help you collaborate. All backed up by the industry's most experienced service team. That leaves you free to deliver the work that inspires your customers and captivates your audience.

Film

Avid film production solutions provide the edge that help creative teams over-deliver on even the most demanding projects. From documentaries to Hollywood’s biggest blockbusters, Avid delivers the most efficient workflows for film, RED and 3D from the set to the studio.
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Music Studios

More music studios around the world use Avid audio solutions for their work than any other. Pro Tools|HD is the industry standard in music production for its amazing sound quality; world-class editing, mixing, and processing; powerful MIDI sequencing; comprehensive automation; and unparalleled video integration.
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TV

Delivering the world's most recognized television programs every day, Avid's end to end solutions combine the world's favorite editorial and mixing tools with workflows and infrastructure that are a match for the most demanding productions. From reality shows to dramas to commercials, Avid helps you do your best work on time and on budget
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Live Sound

From touring and concerts to fixed installations Avid solutions are designed to answer the needs of modern live sound applications, with studio-grade sound, unprecedented reliability, powerful performance, and complete ease of use.
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Pro Tools & ICON

Digidesign® solutions are at the heart of audio post and film production facilities across the world, and with good reason.

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Avid Unity

Avid Unity media networks are the foundation for over 4,000 post production companies around the world.

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Customer Stories

Ellen Gets Serious with Avid’s Collaborative Capabilities

Ellen DeGeneres is... Quirky. Offbeat. Self-effacing. Real. A really cool dancer. And most of all, funny. Behind the scenes, though, that’s one thing she and her production crew are not.
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Media Composer Brings Dark Comedy to Light in World’s Greatest Dad

Making the move from reality television to scripted film was initially a concern for editor Jason Stewart. To his surprise, he found that cutting reality shows was actually the perfect background for editing indies.
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Taking Woodstock: Small Family Drama, Precise HD Editing

Director Ang Lee’s Taking Woodstock gives us a twist on the Woodstock legend by focusing on relative unknown Tiber, a then 34-year-old local who helped broker the concert deal by landing the last-minute legal permits to hold the event.
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An Increasingly Complex Web: Spider-Man 3 Balances More Characters Sub-Plots

First assistant editor Sean Valla has worked on all three Spider-Man films and believes the latest film in the series to be the most complex one yet.
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Star Trek: A New View from the Bridge

Producer/director J.J. Abrams has gone back to the future of the Star Trek franchise with a fresh new take on the classic sci-fi adventure.
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Transformers: Revenge of the Fallen

As many as five editors worked for more than a year in post, developing the multiple storylines, numerous visual and sound effects, and non-stop action-adventure for this summer blockbuster. A tapeless HD workflow helped keep the post workflow on track.
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30 Rock Packs In the Laughs with Total Avid Workflow

Fans of the hit comedy 30 Rock know one thing for certain: they need to pay attention when they watch the show. Otherwise they might miss some of the delicious humor - a wry piece of dialogue, a quick cut, or a subtle sight gag that help give the show its distinctive comedic edge.
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Studio Dupri in Hotlandia

An Interview with Engineers Phil Tan and John Horesco IV.
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Fringe

Strange Things Are Happening Again - in Primetime.
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Pro Tools|HD and ICON at the Village Recorder

Legendary Music Production Studio, the Village Recorder, Reports Growing Demand for Digidesign ICON.
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On the Road with Maroon 5

VENUE Heads Out On The Road With Maroon 5 In Support Of The Band’s Sophomore Album.
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Studio 880

Digidesign ICON Proves Indispensable for the Bay Area’s Studio 880.
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Venue Rocks OzzFest

Digidesign live sound system blurs the line between stage and studio technology.
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VENUE in Fox Theatre

Two VENUE Systems for California’s Historic Fox Theater.
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Running the Sahara

Going the Distance with High-Speed Editing.
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Just Jordan

Multicamera Nickelodeon Show Uses ScriptSync with HD/SD Workflow.
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Lost

Survival on Lost.
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Grey's Anatomy

Fast-Paced Editorial.
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The Dark Knight

Deep, Intense, and IMAX Friendly.
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Milk

Editor Elliot Graham keeps up with his director on the go without sacrificing quality by cutting on his laptop in HD.
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Editing 007

Matt Chesse and Richard Pearson describe their enthusiasm about editing the latest film in the popular 007 franchise.
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The Sound of James Bond’s Fury

There is something singularly recognizable about the soundtrack of a 007 film. Quantum of Solace may be breaking that mold.
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Slumdog Millionnaire

Glenn Freemantle, supervising sound editor and sound designer, set out to portray the burgeoning vitality and paradoxical charm that is modern day India.
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